Call myself liberated
but this modern woman’s
shadow arches backwards
finds its reflection in legacies
How can I forgive my own failings
when their tale takes root in
oppression and abuses long passed?
Liberated a misnomer.
(Image my own.)
Call myself liberated
but this modern woman’s
shadow arches backwards
finds its reflection in legacies
How can I forgive my own failings
when their tale takes root in
oppression and abuses long passed?
Liberated a misnomer.
(Image my own.)
Wary of ruts –
lies I tell myself
sprouting roots,
impending progress.
Yet, without roots
how am I defined?
Does impermanence
not also leave a stain?
The ground shifts
beneath me
and I dance
imperfectly
inventing a rhythm
that defies ruts,
mocks impermanence
and eludes definition.
(Dancing first appeared here in May, 2018. Image my own.)
When did guilt obviate
the need for sustenance?
This deipnophobia paralyzing
heartless stares dredge up
my truth: insatiable hunger
need to stuff down emotion
the certainty that I deserved
the abuse – endless shame
My fork traces the outlines
separates food groups
My mind makes mental notes
of what I’ll gorge on later.
(Deipnophobia is the fear of dining in public. I watched my older sister avoid eating when with others, and then gorge afterwards. I had not known there was a term for it until I came across this prompt. Image my own.)
I drink the backwash
of hollowed out promises
Is it me, invites indifference
expectations so low, self
gowned in layered shame?
How do I learn otherwise
break this toxic pattern
if not in pursuit of love?
(Tuesdays I borrow from Twitter @Vjknutson. Image my own)
Ingredients for despair –
illness, COVID, loss –
all meted…
Never did follow recipes
I see only openings
potential for enrichment
how the lens has power
to ruminate or celebrate
(Art my own)
Cherubic and reeking
grief’s pallor heavy
he comes to me
Of course, he does
I am schooled in compassion
seldom flinch at raw pain
I attend to the wounds
listen; reassure
but I am weary
My own sorrow unattended
loss and betrayal an inner bleed
know I have only so much to give
But he is not alone,
there is another
a mere child…
Cherubic and reeking
grief’s pallor heavy
he comes to me
Of course he does
and I will sign on to stay…
schooled in the art of compassion.
(The stories that come to us in the dreamtime, often celebrate anniversaries. Years ago, I was in a cycle of abusive relationships, culminating with the one represented in the poem. We met on New Year’s Eve. My son, then early teens, remarked to me that I always chose relationships that asked a lot of me but seldom gave in return. While I laughed it off in the moment, his words remained with me, especially as this man also betrayed me with another. It was the turning point I needed to do some real soul-searching.)
Image my own.
It was desire
led me here
buried me alive
Lust borrowed
from loneliness
his heart a tomb
Flesh from flesh
can be extracted
psyche requires exorcism.
(Tuesdays, I borrow from Twitter @Vjknutson. Image my own.)
Solitude.
I dream of
panoramic
silence –
breathtaking
boundless
sanctity.
Solitude.
Wrapped in separateness
cardboard walls fallen
curling corners of instability –
no refuge in stillness.
Solitude.
Smothering starkness
madness reverberating
canyons of aloneness
overbearing.
Solitude.
Persevere
regale moments
feathered encounters
faces on screens
tenderness
in voices.
Solitude.
Grace finds me
mercy lifts soul
possibility
opens the door
panoramic.
(This is a rewrite of an older poem, last appearing here in August, 2018. I submit it for Reena’s Exploration challenge #163. Please visit her post for a most inspiring video. Art my own.)
Tripping over guilt
how I need to make amends
Meanwhile, charity
leaves me vulnerable
Lose credibility,
momentum
No longer a pick up for others
ditched without a lifeline
***
These are but feelings
I’m more comfy couch
than utility vehicle
and credibility –
well that’s earned
Pick myself up
wade through vulnerability
grateful for giving hands
some amends best left
to the lessons gained
guilt not worth the trouble.
(Much of my poetry is derived from dreamwork. Dreams use exaggeration and humour to evoke understanding. In this poem, I am able to see both at play, leading me to the more empowering response. Thanks for reading. Image my own.)
I seek the elusive –
organize thoughts
attempt to draw
reason from obtuse
Project possibility
into unattainable
hoping to acquire
marketable commodity
Refuse to acknowledge
happiness is subjective
and bliss reserved
for those who let go.
(Tuesdays I borrow from Twitter @Vjknutson. Image my own.)