If Nature had a human heart
how fickle she would be –
one day fiery, another ice,
so much based on jealousy.
If humans had Nature’s heart,
then instinct would be key –
to each their own understood
a master plan for harmony.
If Nature had a human heart
how fickle she would be –
one day fiery, another ice,
so much based on jealousy.
If humans had Nature’s heart,
then instinct would be key –
to each their own understood
a master plan for harmony.
Should have known when
the first light passed
without a sound,
morning half gone
before consciousness
pried my eyelids open.
Should have known when
my Ninja pushed back
refused to blend
breakfast smoothie
forcing me to sip sludge
through straw
and when the line
on my browser
failed to budge
past the quarter mark
leaving me frustrated
I should have known then
but I ignored it all,
pushed beyond the signs
reached for that infallibility
gene (that never existed)
and almost set the house
on fire – element left on
and that’s when I knew
reflexes not kicking in
exhaustion claiming brain
emotions revved in overdrive
that today was not my day
and I should have stayed in bed.
Seduced –
the virility of youth
irresistible even for an old
duck like me –  so unexpected,
relentless, I ignore exhaustion
lean into the fantasy, allow
desire to embrace me,
cross a boundary,
surrender…
step up
to the stage,
bare-chested,
shameless, speak
into the mic, reveal
my words: those
childlike bits
of myself;
hope
my passion
does not offend,
the blatant sexuality
of my tongue, my voice,
raw desire, peaked arousal,
does not mar my reputation,
pathetic, really, that one so past
her prime should dare to grace the
boards – surely a younger woman’s game.
(Passion Exposed was penned in December of 2016 after attending my first poetry open mic.  Having been a closet writer for most of my life, I still find it uncomfortable at times to share my words.)
Rooted in the earth,
ever reaching for the sky –
speaking nature’s truth.
From the North we travelled,
left just as autumn’s brilliance
retreated under the startling
white of winter’s cold breath
Drove through towns grayed
by overcast skies, witnessed
a reversal of seasons, return
of burnt oranges, rusted reds
until green gave over to desert
hues – chalky yellow hills with
dusty, low shrubs, burnt umbers
and muted violet prickly pears
Westward we drove, over wide
open spaces, followed rivers
into mountains, tracked birds,
wildlife, the mystery of saguaro
Encountered red rocks and black
mountains, the Colorado, and
further expanses of barren land
desolation betraying hard times
Continued on till highways widened
and the congestion of civilization
startled us out of our desert sedation
tossed us back into urban bustle
Then we turned north, headed back
to the mountains, now green, rolling,
promising milder temperatures and
the reassurance of flowing river beds
In time, we’ll turn eastward, set our
compass for home, knowing that
there will be disquiet, this lust for
wandering settling in old bones.
(The image is from my personal collection. Â To read more about our adventures on the road, visit me at One Woman’s Quest II.)
All I need is a pair of pink boots,
the audacity to wear my hair
as if no one is looking,
the nonchalance to wear skirts
even on the days I plan to climb,
to adopt a no-limits, thumbs-up
attitude and smile triumphant
as if my world is a bubble
of contentment, needs met,
and no worries about
tomorrow –Â then I’d be
on top of the world.
A dear friend of mine passed away recently. She was a potter, and the gifts of her creations fill my home. This poem by Jazz J is as exquisitely crafted as Nadine’s works. I share it with you today to honour both women.
March 16, 2018. This poem emerged while studying Zen poets – mostly male, but one female poet made the syllabus.  Otagaki Rengetsu (1791–1875) became a Japanese Buddhist nun and one of the country’s most respected female artists – combining her poetry, calligraphy, and pottery.  She learned from Kyoto potters and decorated her rough and rugged bowls, cups, and other vessels with her poetry, either painted on or scored into the clay in flowing calligraphy. Orders from tea masters and others kept her very busy. This collage of found images shows both her pottery and calligraphy styles.



Immersed in the spiritual –
not yet fully present –
participating,
considering
new beginnings,
openings
so much easier
to go back to sleep
leave the living
to the younger
more energetic
generations
surpassing me
clued in to
technology,
modern nuances
yet, even they
slumber, lulled
by a confidence
I too once donned,
before immersing
myself in the spiritual.
Adolescence holds lessons,
I failed to absorb, the leap
into adulthood premature.
Have a son of my own now,
wish to guide him to solace,
help him to settle into a place
where the sky is prominent,
teach him to live without
walls, proud and confident
but I fear the price is too steep
that he will not manage the cost,
recognize that the legacy lives on
that he too has been thrust into
adulthood, a product of his mother’s
failure – an example poorly set.
We are builders –
constructing isolation
with fortified walls
imagining security
in separation.
We are battlers –
projecting foes
in outer forces
ignoring the dangers
of faulty foundations.
How warped are the stories
on which we lay our floors;
how misguided our efforts?
We need level ground
on which to erect stability,
a balanced understanding
cemented in commitment,
a universal, master plan
motivated by communal
accessibility, developed
with careful consideration.
Alas, we are consumers –
trusting the blueprints
of those whose architectural
designs are self-serving.
What price will we pay
for residing in a house
dangerously slanted
towards destruction?