Mother said: “Look after your sister!” What she meant was: Take this burden off my shoulders; I am no longer able to cope.
Father said: “Do as I say, not as I do!” What he meant was: I don’t have the wherewithal to deal with my own problems, so don’t bring me yours.
Sister said: “Be a good auntie!” What she meant was: I am too young to be a mother, and you are much more responsible, so take care of my consequences.
So I ran away to build my own life: met a man and married, bought a house, had children, and dreamed of a future that would erase the past… but
Husband said: “If you really loved me, you’d lose weight, be less effusive, control your temper, and be more supportive of my choices.”
What he meant was: I’m going to grind you so far into the ground and then I’m going to cheat and cheat and you’ll have nothing left inside to do anything about it.
And without a word, I left.
What I meant was: I am a real person with needs of my own, and despite my faults or limitations, I deserve better.
(This is an edited version of an older poem by the same name, December 2018. Image my own)
Adolescence doesn’t wear a smile in our old photo album – stares fixated on unseen lint – distracted, we three sisters, all reeling from the cold, unwell, immobilized…
What is absent is the photographer whose pointed directions critique each decision – a derisive repetition that eats at our souls, each girl wrestling with self-nurture vs self-annihilation, landing somewhere in between – mannequin targets for male abuse…
Oh, I tried to take up arms, rail against the dominance, the oppression, but only succeeded in settling for disconnection, while one sister turned tricks for attention, the other retreated into full dependency, her madness, out of date, nevertheless relevant – despite our tormenter’s death, the images are permanently recorded in that old photo album.
“What happens after death?” she asked one Sunday, her long, thin body stretched weakly across the settee, her cousin balancing his dinner plate at her feet.
Sundays they came together, all the family, for Grandmother’s dinners; the warm waft of fresh- baked pies, the clank of dishes, voices raised over old farm table.
He shrugged; it was always a concern – she’d been frail from birth, this girl he loved, two years younger, but in every way his peer – said nothing.
“Let’s make a pact!” she blurted “The first to die will leave a sign.” “Grandpa’s bells!” They shook on it and then, with a satisfied grin she succumbed to sleep.
A more sombre clan gathered mid-week eyes red and faces pale with the shock of loss – no smells of warmth to greet them, just cold platters prepared by church ladies
Slumped bodies, heads leaning close, sipped tea on the place where she’d lain that last gathering – no sound of children’s laughter, the hole too hard to bear.
And when the sound came: metal clanging on metal, ringing a joyous clamour, she was the first to see – Grandpa’s bells stirring – her sign!
She knew then he’d be waiting, told me so before that last breath and as I watched her go, I swear I could hear the far off ringing of bells.
(The Pact was originally published September, 2018. Edited here. Image my own)
In anticipation of guests, the hostess – always bent on pleasing – carefully selects the script, ascribes roles, envisions an afternoon of light repartee, peppered with philosophical pondering – satisfactory entertainment.
They’re just family, after all, she tells herself, confident in the outcome, fatally smug.
Crowd arriving, she fails to read disinterest in eyes, politely attempts to orchestrate interactions, while they cast about, calculating, shunning protocols of etiquette, dispersing in an unsettling way, then returning, savagely encircling their prey.
They’re just family, after all, she tells herself, panic rising, confusion overriding confidence.
Unprepared to defend herself – bears no arms but the giving type – she ducks, grasps, attempts retreat from the onslaught of vindictive agendas, but the wall of stored grievances, spotlighting a history of injustices, corners her, hopelessness in its wake.
They’re just family, after all, she tells herself, knowing full well the legacy of pain.
It’s friends, in the end, who save her – a surefooted cavalry, bearing the swords of understanding, compassion their war cry – reigning in the once-invited, now betraying guests – objective hearts demanding an end to the fray.
They’re just family, after all, she tells them, tells herself, composure a mere thread.
Tables turned, the offenders now plead for forgiveness, beg for help, pretend the slights were unintentional, harmless, expect their hostess to step over the bloodied and slain bits of herself, and with benevolence, restore her love for them again.
They’re just family, after all, she says weakly, the torn script of her expectations scattered.
(My art, entitled She Stands In the Middle of It All. This poem first appeared May, 2016)
