Checked Out

Every woman needs a man,
Mother told her, to be complete.

To submit, she realizes, too late
soul traded for high-rise living,
big city dreams numbing
inner losses.

She eats to appease inner sorrow –
a second-rate childhood – afraid
of being a burden, loathe
to create a stir – conditioned
complacency:

appeasing,
pleasing,
follows plans,
avoids decisions…

never really knows where she is going.

Can she fault her man, schooled
to provide – the alpha male
taking ownership/charge?

His own lack, like a child,
feeding on impulses, craving
attention, overcompensating
for fears with bravado…

cannot understand her fear
of assertiveness – alternately reads
acceptance and disapproval, frets –
gut gnawing incessantly.

They stumble over each other, seek
separation in small quarters, discuss
repairmen, schedules – nothing;

avoid deeper issues such as the fact
that they are both suffocating, near
jumping off the ledge of their high-
falutin’ existence, into the snarl
of traffic that immobilizes them,
the noise of city living negating
their ability to listen, distractions
altering identities, until the distance
between
is too far
to bridge
in a single sigh                      and she
no longer                        submissive
has joined him

and checked out.

(This is a rewrite of a poem, by the same name, written in June 2016.  Shared here for DVerse’s Open Link Night.)

Debonair and Deprived

“Is that you father?”
acquaintances would ask –
voices deep and dreamy.

Particular about his dress,
meticulous in his grooming,
Dad’s eyes sparkled oceans

his dark, wavy curls
framing a strong face,
his body tall and muscled.

I’d tilt my head sideways,
incredulous at this response,
then realize they’d fallen

for his mask – carefully
debonair, he exuded charm,
a well-rehearsed routine.

It’s his birthday today –
would be, you see, but
Dad passed over long ago.

Tortured, he was, relieved
to be done with a life
so defined by deprivation

for masculinity was only
a shell – housed a restless
spirit, a woman never seen

forced into seclusion by
a society – a family – who
could not/ would not see.

He may be free, but the tragedy
lingers – awareness now so raw
of all that might have been.

“Yes, that it my father,”
I might have said, adding
“A beautiful soul trapped inside.”

(My father was born June 14, 1924, and struggled all his life with his “secret”.  He turned to the Navy commandos at the age of 15, hoping to “beat” his impulses, and then alcohol to numb the pain.  We bore the brunt of his suffering, and were never able to cross the bridge to understanding. I have no pictures of my father, and only this one image of myself as a teen.  We looked very much alike.)

Fandango’s word of the day is debonair.

Daily Addiction is deprive.

Scuttle

Made of steel,
I have withstood
your darkness,
borne the blackened
traces of your hardened
words upon my soul,
have carried for you,
endured the weight
of your substance –
lack of substance –
this charred shell
all that remains,
tarnished metal
walls, contents
now empty.

(Daily Addictions daily prompt is scuttle)

Unwanted Visit

The years have done their damage,
resentments, like border guards,
line up between us…

and then you just show up,
as if somehow that makes you the better person,
as if your presence will make me forget, forgive

and I fumble for the right words,
attempt graciousness, even as I’m struggling
to feed the hurt, coddle the innocence lost

you hurt the deepest core of me,
the child, barely able to stand on her own,
the burden of her frailty heavy enough

what amusement must you derive
from revisiting our torturous past,
I cannot fathom – all too much for me.

Changing Direction

This path I walk is not my own;
it’s paved with genetic markers,
familial dysfunction, and ancestral angst.
Can you see them walking with me?
Those whose lives were cut too short –
the addicts, the tortured, the diseased –
none of us free – ensconced in blame.

If you walk with me,
I’ll help you carry your burden
and you can support me with mine.

I stand at the intersection
of broken dreams and hope for tomorrow
and in my altered state of awareness
see the commonality of our striving,
understand the patterns that divide,
and grasp the illusion of injustice
that denigrates our interconnectedness.

If you walk with me,
I’ll help you carry your burden
and you can support me with mine.

I stop and wait for an opening
to share this revelation
of underlying harmonious intent,
but the whir of societal traffic
complicates communication,
and I can find no voice to cut
through the din of the dead.

If you walk with me,
I’ll help you carry your burden
and you can support me with mine.

I turn the corner on my old life,
detach with loving sorrow
from a road that never served me,
a direction wrought only with pain.
Tiny arms await me on this open road,
eyes wide with wonder and possibility.
There is joy to be found along the way.

If you walk with me,
I’ll share this new adventure
and together, we’ll have much to gain.

(Changing Directions was originally published June, 2015)

Tired of Same Old Endings

Tired of same old endings,
in which hopes are slaughtered
and tragedy and insanity win.

Raised by the bottle, learned
to set standards low –
still afraid of heights –
have fallen as the ground
beneath my aspirations crumbled –
a certainty under alcohol’s rule.

Tired of same old endings,
in which self is battered by indifference
and ego loses the battle for control.

Mother’s denial a coping mechanism
negating children’s need, obliterating
safety, disregarding long-term damage;
even in the older years, when we tried
to get her out, were powerless against
his manipulation, his eternal imprinting.

Tired of same old endings
in which the heroine, resources spent,
succumbs to the madness, suicides.

Want to believe in a future, greener,
hopeful, in which relationships
are fulfilling, and life goals are
supported, in which encouragement
is not fodder for deviousness, and
personal best is rewarded, sustained.

Tired of same old endings
haunting my dreaming hours,
taunting my waking dreams.

 

 

 

 

A Mother Asks

How to receive a child
whose untimely arrival
serves only to punctuate
existing turmoil; whose
cries further entrap
a despondent mother…

How to love a child
who differs markedly
from gifted sons
from idyllic daughters
bears only resemblance
to the crime’s perpetrator

a child who lacks
the finesse so carefully
imbued in siblings –
fiery eyes and attitude,
preferring solitude of nature
to niceties of family life

How to guide this child,
this symbol of a past best left
behind, this burgeoning woman
defying all expectations –
this enigmatic burden?

(Follow up to this poem is:  A Child Responds)

 

A Falling Out

Drunken bodies –
silhouettes of adults –
ignore posted warnings
and locked gates –
clumsily scale fences
and plunge into dark,
their hoots echoing
between uniformly
lined-up balconies –
pristine rows of duplicate
houses, trimmed beds
and cement curbs
punctuating order.

I watch, horrified,
feel the bile rise,
have signed responsibility,
will bear the brunt
of any damage –
am burdened with worry
unwilling and unable
to take such a risk;
walk away and await
the fallout…

A vainless fret –
two old women
testing the rules,
stretching the limits
of structured guidelines
more ridiculed than
prosecuted, but the rift
has been solidified

used, I feel, and
disrespected, enraged –
not yet able to examine
the tension settings
of self-imposed restraints,
carefully guarded decorum
choking out compassion –
sensibility rattled.

(The story behind the poem is posted at One Woman’s Quest II)

There, There

I wrestle with sleep –
need overpowered by unease,
senses on high alert,
as if a child
trying to intuit
the degree of volatility
in father’s drunken slur

what will it take
to find rest,
to reassure
the littles
that the tyrant is gone

and life will unfold
as it will
without the stress
of constant monitoring.