The knight’s bravado
is all well and good, until
the dragon wakens.
(A haiku for Willow Poetry’s What Do You See? challenge – the featured photograph.)
The knight’s bravado
is all well and good, until
the dragon wakens.
(A haiku for Willow Poetry’s What Do You See? challenge – the featured photograph.)
Found a key
stashed away
forgotten
origin unknown
purpose equally
mysterious
an inkling
seeping regret –
too late
realization
dawns –
I’m the keeper
and the treasure –
hold the power,
except
No one told me.
Gave it all away
Found a key
stashed away
lock long broken.

(This poem was inspired by the image Hélène supplied for her What Do You See? challenge.  The poem was having difficulty forming itself, but when I saw Reena’s image for her Exploration Challenge, the pieces fell together.  Thank you both for prodding my muse.)
Fertile is love –
an ancient fruit tree
soft and up-giving
were life root
almost too wet –
moony world
Secret: Â I wither,
am stone berry –
no rain at lake
walk bucolic earth
follow winter cover
shed colour
watcher,
will live,
do.
(Friday is Magnetic Poetry day. Â Image is from personal collection.)
No more than a sparrow, am I
numbered among the ordinary;
brightly I sing, though inwardly shy
of people and shadows I am wary.
Numbered among the ordinary
I flit about virtually unseen –
of people and shadows I am wary,
head down I carry out my routine.
I flit about virtually unseen,
require little to make me content;
head down I carry out my routine
forage between furrow and cement.
Require little to make me content,
brightly I sing though inwardly shy,
forage between furrow and cement,
no more than a sparrow, am I.
(dVerse’s form of the month is the Pantoum. Â Image is from my own collection.)
Formative years were more destruct
than construct; contradictions riddled
the foundation of our familial structure:
one man tyrannized five females while
in the news, women marched for equality;
called the likes of him a male chauvinist.
Aunt drove a forklift truck, looked like a man,
chalked one up for women’s liberation, didn’t
talk about her sexuality; shadow of illegality
hovering around her – no one dared to ask.
At nine, I questioned the fairness of being
born a girl in a man’s world, felt impassioned
by feminist cries, yet feared my mom would
leave the nest, abandon baking, domestics;
leave us to fend for ourselves – the warm waft
of fresh-baked goods greeting us each day, gone.
Watched my sisters flaunt their womanly ways
for virile young men who flocked to see bikini
clad bodies, ripe and tanned by the sun – who
was reducing whom to sex objects? And when
my mother’s family came to visit, why were the
men’s hands so invasive, their tongues equally
misplaced, and was this what women in the streets
were crying out against? I wanted to be free, explore
my future prospects – open road ahead – but Mother
said boys will be boys, and men don’t like smart
women, and better to drop out of school at sixteen,
get a secretarial job, and be ready when your prince
arrives – so I rebelled, cut my hair, flaunted my
intelligence, spoke up about inconsistencies,
such as why is a God a He, and why Aunt didn’t
ever date – did feminist mean celibate? and why
when women were so oppressed and men had
all the power, did my father wish he could be one?
Formative years more destruct than construct;
a deviate imprint tainting normalcy’s prospects.
(A 60’s Childhood first appeared here in September, 2016. Â My challenge this week is story. Â Click on the link to join in. Â Computer is currently in the shop – so I have set this post up in advance. Â Sorry if it takes me a bit to get back to you. Image from personal collection.)
Daughters ride
emotional escalators –
while sons prefer
a higher ground –
more attic than sound,
motivations vague
Parents observe,
bite tongues
wish they had a key
to disengage lethargy,
ignite reason –
and turn the volume
down on drama.
This exile –
self-imposed, I confess –
wears thin with age.
Too many winters
braving the cold –
heart’s frozen rebellion
against Father’s tireless raving,
Mother’s queenly submission.
So many moons
engaged in a crusade –
armed with but a hollow sword –
the chill of time lapsed,
irretrievable.
Castle lights are waning,
death lingers in the air,
and only now, on this fateful
periphery, do I wonder –
measure the rage against costs –
blame’s righteousness builds
only walls – faults corpses
rotting either side.
Empty-handed, I approach,
cowed by the enormity of task –
bearing no gifts, no legacy –
only a paltry offering
of forgiveness – pray
I am not too late.
(Image provided by Willow Poetry as her weekly challenge:  What Do You See?  Also linking up with Frank  at the dVerse pub, whose theme tonight is blame and forgiveness.  Ragtag Community’s prompt is fault.)
Have you seen her –
the child we lost,
the one who lost herself?
born to a sister
breasts not yet ripe
for motherhood’s call
a passenger
on a perilous ride,
sweetness eclipsed
by a cacophony
of raised voices
the wails of women
helplessly trapped
a smothering drama;
how easily she escaped
slipped from our clutches
found comfort in the streets
preferred coldness of strangers
to the raging fires at home;
lost her to the lure of parties,
an elixir for the empty places,
found her once amongst
the debris of discarded needles
and the haze of sexual reek
the golden halo of youth
now matted clumps of shame
her beauty sunken in shadows
we’d taught her well, it seems –
the art of submission, how to
betray the self, embrace defeat
tried to pick her up, create
a milieu of normalcy, establish
homelike roots, but shams
do not last and she ran again
the echo of her absence a hole
ringing in our hearts, we are
guilt-ridden, apologetic, fear
the power of our inadequacy;
try to forget, justify, cringe
for the child we lost,
the one that got away,
the one that lost herself.
(Submitting this for Ragtag Community’s daily prompt: needle.  Computer is going into the shop so I may be MIA for bit.  Missing was first penned in October of 2017.
Avoidance, we
do it well – displace our
selves to warmer climes
choose a locale by the sea
anoint sunshine as our power,
and when the Ides of March arrive
our restlessness stirs once more
heat turns up and
we escape – renewed drive
leads to home’s door.
(Dark Side of the Moon offers a weekly cinquain challenge. Â This week is the Insane Cinquain – check link to learn more. Image from personal collection.)
Unheralded,
an apparition
in white –
wings enveloping,
uplifting
soul cries,
voiceless,
powerless –
no pause
on perfection
she follows coastlines
while I travel roads,
fades from view
her shadow lingers,
wraps me in melancholy
one minute of rapture –
enough to make me mourn.
(Inspired by the sudden appearance of an egret while shooting this image. Â Submitted for Manic Mondays 3 Way Prompt: Â roads, and Reena’s Exploration challenge: Â one minute.)