A 60’s Childhood

Formative years were more destruct
than construct; contradictions riddled

the foundation of our familial structure:
one man tyrannized five females while

in the news, women marched for equality;
called the likes of him a male chauvinist.

Aunt drove a forklift truck, looked like a man,
chalked one up for women’s liberation, didn’t

talk about her sexuality; shadow of illegality
hovering around her – no one dared to ask.

At nine, I questioned the fairness of being
born a girl in a man’s world, felt impassioned

by feminist cries, yet feared my mom would
leave the nest, abandon baking, domestics;

leave us to fend for ourselves – the warm waft
of fresh-baked goods greeting us each day, gone.

Watched my sisters flaunt their womanly ways
for virile young men who flocked to see bikini

clad bodies, ripe and tanned by the sun – who
was reducing whom to sex objects? And when

my mother’s family came to visit, why were the
men’s hands so invasive, their tongues equally

misplaced, and was this what women in the streets
were crying out against? I wanted to be free, explore

my future prospects – open road ahead – but Mother
said boys will be boys, and men don’t like smart

women, and better to drop out of school at sixteen,
get a secretarial job, and be ready when your prince

arrives – so I rebelled, cut my hair, flaunted my
intelligence, spoke up about inconsistencies,

such as why is a God a He, and why Aunt didn’t
ever date – did feminist mean celibate? and why

when women were so oppressed and men had
all the power, did my father wish he could be one?

Formative years more destruct than construct;
a deviate imprint tainting normalcy’s prospects.

(A 60’s Childhood first appeared here in September, 2016.  My challenge this week is story.  Click on the link to join in.  Computer is currently in the shop – so I have set this post up in advance.  Sorry if it takes me a bit to get back to you. Image from personal collection.)

Crusader’s Return

This exile –
self-imposed, I confess –
wears thin with age.

Too many winters
braving the cold –
heart’s frozen rebellion
against Father’s tireless raving,
Mother’s queenly submission.

So many moons
engaged in a crusade –
armed with but a hollow sword –
the chill of time lapsed,
irretrievable.

Castle lights are waning,
death lingers in the air,
and only now, on this fateful
periphery, do I wonder –
measure the rage against costs –
blame’s righteousness builds
only walls – faults corpses
rotting either side.

Empty-handed, I approach,
cowed by the enormity of task –
bearing no gifts, no legacy –
only a paltry offering
of forgiveness – pray
I am not too late.

(Image provided by Willow Poetry as her weekly challenge:  What Do You See?  Also linking up with Frank  at the dVerse pub, whose theme tonight is blame and forgiveness.  Ragtag Community’s prompt is fault.)

Missing

Have you seen her –
the child we lost,
the one who lost herself?

born to a sister
breasts not yet ripe
for motherhood’s call

a passenger
on a perilous ride,
sweetness eclipsed

by a cacophony
of raised voices
the wails of women

helplessly trapped
a smothering drama;
how easily she escaped

slipped from our clutches
found comfort in the streets
preferred coldness of strangers

to the raging fires at home;
lost her to the lure of parties,
an elixir for the empty places,

found her once amongst
the debris of discarded needles
and the haze of sexual reek

the golden halo of youth
now matted clumps of shame
her beauty sunken in shadows

we’d taught her well, it seems –
the art of submission, how to
betray the self, embrace defeat

tried to pick her up, create
a milieu of normalcy, establish
homelike roots, but shams

do not last and she ran again
the echo of her absence a hole
ringing in our hearts, we are

guilt-ridden, apologetic, fear
the power of our inadequacy;
try to forget, justify, cringe

for the child we lost,
the one that got away,
the one that lost herself.

(Submitting this for Ragtag Community’s daily prompt: needle.  Computer is going into the shop so I may be MIA for bit.  Missing was first penned in October of 2017.

What’s In a Name?

What’s her name?
Simple question
from mother to son –
recognizing the love-lifted
joy of his countenance.

I cannot tell, said he,
you’ll ask too many questions.
Do I know her?
No, Mom, she’s Somali.
And Muslim.

I felt my whiteness
and all its privilege
slap me, stumbled

Of course she is welcome,
of course it does not matter.

Had no sense of the depth
of my ignorance, how heads
would turn, and vile strangers
attack, and his father shun them.

And how her own mother
would advise her to take his name
when the day of their nuptials came
so that finding work would be easier.

Had no sense of the depth
of my ignorance, how
everyday matters suffer
unfair scrutiny –

hold them in my heart
and pray, knowing my shield
of whiteness holds no sway
to protect them..

(Written for dVerse pub, where Anmol challenges us to address the topic of privilege.)

Family Portrait

Did you know that life would come to this?
Flattened memories pressed between wax,
the essence of our efforts forgotten, the dreams,
so carefully construed, lost.  You leaned toward
the conventional, and I was ever the sentimentalist
and yet we ended up in the same place – shadow
selves standing at the banks of our disheveled lives,
survivors, nonetheless, tokens of a past riddled
with so many lies, so much heartbreak, we are
ghost sisters, haunted, hunting, unable to step
away – drawn in, pulling apart – all that remains.

Role Models

When Scarsdale failed,
she resorted to corsets,
and girdles – trussed up
like a teabag –
sucked in her bits,
hair a touch too red,
nails forever chipping –
Dad’s disapproval a sour note –
watched as Mom steeped
in resentment, waited
for the boiling point.

(This quadrille is written for dVerse, hosted tonight by Mish, with the topic of steep.  I am also linking up to Ragtag Community – note; and Fandango’s – resort.)

The Last Train (Sonnet)

We wait at the station, Mother and I,
one final stop for her – painless she prays;
I linger at bedside – prolonged goodbye –
memories and regrets filling our days.

“We live too long,” she wearily proclaims,
“Why must suffering linger till the end?”
I plea and bargain, call angelic names,
yet the will to survive refuses to bend.

The urgency builds as my time dwindles;
must I leave her in this compromised state?
She rallies and stands on wobbly spindles
dismisses fears – has accepted her fate.

Some destinations are clearly defined –
death is a train whose schedule’s unkind.

(Penned for dVerse’s poetry forms – the sonnet.)

January’s Frost

As Mother counts her last days, and I open my heart to forgiveness, a daughter calls, reaming me out for wrong-doings – January is not cold enough to freeze tempers – family coals burn and shatter, and all we can pray for is metamorphosis.  Soon, I will return to warmer temperatures, attempting to elude this frigid climate, save the scorching for the sun.

Hearts have seasons too –
I lumber through chilled air,

crave a touch of warmth.

(A haibun for dVerse, hosted by Kim tonight.  I am also submitting this for Ragtag Community’s lumber, Fandango’s metamorphosis, and Manic Mondays 3 Way Prompt, shattered.)