A Poem in Three Voices

Page three! Father would say
whenever she opened mouth
to speak – inevitable tale waiting

I just want you to hear me,
I remember feeling, to know
that my words have meaning

You get all your needs met;
it’s why I work so hard, now
don’t bother me, get along…
 

She learned to hold things in,
to refrain from long passages,
practiced needing no one.

Dear diary, why does everyone
hate me? What have I done,
and why do I feel so alone …?

You hide away in that room
of yours, ignoring your mother
and me; what’s wrong with you?

 She shrugs, picks up her purse
and heads out the door, school
is almost finished, then freedom.

Left home today; so happy to be
away; hope my roommates like
me, hope I don’t ruin it for us.
 

Just called to see if you’re okay,
your mother and I worry; let
us know if you need anything…

But she’d stop needing long ago –
shut down in the formative years,
when rejection defined esteem.

(Today’s NaPoWriMo prompt is to write a poem in three voices.)

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Security

Silly really,
this relationship of mine –
how I hang on, despite
the tears, the fraying
edges, ignore
the waning
of fibres,
how lifted
to the light
I can see through –
warmth no longer
a reason for
clinging,
and yet
there are memories
woven in between
loose threads –
heartache and
consolation –
and so, like Linus
I cannot let it go.

(Decided to join NaPoWriMo, hosted by Maureen Thorson.  A little slow on the uptake, I’ve started with the early prompt:  to write a letter (poem) to an inanimate object.)

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Passion Exposed

Seduced –
the virility of youth
irresistible even for an old
duck like me –  so unexpected,
relentless, I ignore exhaustion
lean into the fantasy, allow
desire to embrace me,
cross a boundary,
surrender…

step up
to the stage,
bare-chested,
shameless, speak
into the mic, reveal
my words: those
childlike bits
of myself;
hope

my passion
does not offend,
the blatant sexuality
of my tongue, my voice,
raw desire, peaked arousal,
does not mar my reputation,
pathetic, really, that one so past
her prime should dare to grace the
boards – surely a younger woman’s game.

(Passion Exposed was penned in December of 2016 after attending my first poetry open mic.  Having been a closet writer for most of my life, I still find it uncomfortable at times to share my words.)

All I Need

All I need is a pair of pink boots,
the audacity to wear my hair
as if no one is looking,
the nonchalance to wear skirts
even on the days I plan to climb,
to adopt a no-limits, thumbs-up
attitude and smile triumphant
as if my world is a bubble
of contentment, needs met,
and no worries about
tomorrow – then I’d be
on top of the world.

Zen In Hand

A dear friend of mine passed away recently. She was a potter, and the gifts of her creations fill my home. This poem by Jazz J is as exquisitely crafted as Nadine’s works. I share it with you today to honour both women.

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March 16, 2018.  This poem emerged while studying Zen poets – mostly male, but one female poet made the syllabus.  Otagaki Rengetsu (1791–1875) became a Japanese Buddhist nun and one of the country’s most respected female artists – combining her poetry, calligraphy, and pottery.  She learned from Kyoto potters and decorated her rough and rugged bowls, cups, and other vessels with her poetry, either painted on or scored into the clay in flowing calligraphy. Orders from tea masters and others kept her very busy.  This collage of found images shows both her pottery and calligraphy styles.

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A Poem’s Life

No value
have these words –
splotches on white –

no meaning
structure worthless –
two-dimensional

until eyes curious
willing to linger
invite order

add focus,
insert experience
inject emotion

paint the page
with resonance
bring a poem to life.

(A thank you to all my dear readers, whose support gives me so much encouragement and brings my words to life.)