Mississippi

She flows
unapologetic of her girth,
does not flinch
at barges scoring her surface
nor paddle boats laden with curiosity.

Confident in her fluidity,
she bears the secrets of life –
the sludge of humanity in her belly –
stirs the minds of merchants, and children,
tolerates those who gather at her banks.

The final word is hers – she knows –
no boundaries can contain her wrath
still waters rise and spill;
she is a dragon
Nature’s force,
and she is magnificent.

(‘Mississippi’ first appeared here in November, 2017.
Image my own. Not the Mississippi.)

Even Ghosts Yearn

Natural light preferable
to artificial – not the harsh
fullness of noonday sun
but softly filtered rays –
luxurious…
inviting

Love too, should be subdued,
gentle as a zephyr –
not mythical, but yielding…
mindful
not worshipful nor boastful
but comforting…
warm

I am waning light
the mistral wind wafting
no longer a force of nature
but smoke, spiralling
vanishing into non-existence

And yet,
even as shadows spread
I yearn – heart
beating true
not lost,
not forgotten,
but withdrawn…
humbled

passion mellowed
by years of constructing walls –
grit and tar –
scar’s long buried
save the limping gait
of a ghost.

(Even Ghosts Yearn first appeared here in July, 2018. Image my own.)

On Nature

How is that a tree can stir my soul, so?
Yet, set amongst the Douglas firs –
an orchestra of giants, the reassurance
of green towering and proud – the music
of my soul is nothing less than symphonic.

How is that the sky can speak to me?
No words to convey its vastness, yet
it breathes new life into empty spaces,
whispers promises, ignite a hope
synonymous only with its expanse.

How is it that a body of water -be it
serene, flowing, or turbulent, can tug
at the corners of my emotional well,
create a longing for the unknowable,
toss me from my bed of complacency?

And how does a single flower, growing
wild, crack this shell of indifference –
the determination to blossom despite
harshness of surroundings – instil such
inspiration, motivate me to rejoice?

(On Nature first appeared here, April of 2018, written during our month long stay on Vancouver Island. Submitted here for Eugi’s Weekly prompt: nature. Image my own.

Finding Home

Do we have to be away
to find home?

Not the mortgaged
two cars in the driveway
double-income kind of dwelling

I’m talking peace
in the heart, comfort
in the soul, blessed home

I have felt Presence
in nature, witnessed Spirit
in a newborn’s eyes

beheld reverence in a dying
sister’s final breath – fleeting
glimpses, nothing solid

I seek an eternal sense
of belonging, of atonement
to radiate a knowing, holy calm

Don’t speak to me of books
or passages, or a brother
with the voice of God

The home I seek is
an inner sanctum
a whisper, a cry

a longing answered
only in moments of pure
simplicity, in stillness

this noise we create
this distancing, is only fear
and forgetting: products

of original separation
a projection of abandonment
remembering, experiencing

the numinous, the sacred other
brings me back home
and I am no longer lost.

(Finding Home was first published here in February of 2017. I resubmit an edited version for Reena’s Xploration challenge: sacred space. Image my own.)

Dear Charlotte Perkins Gilman (Yellow Wallpaper)

I have examined your wallpaper,
discussed the scholarly attributes
of shades of yellow, traced the edges
of your unravelling with my mind,
argued the merits of Gothic horror;

marvelled at the brilliance of wording,
the courage to define the nature of
feminine madness, the boldness to
highlight inequalities long before the
establishment of a Person’s Act.

Forgive me, but I need to set aside
this keyboard for a moment, for I tire
easily, am suffering from an exhaustion
that is systemic and calls for elimination
of all stimulus in favour of rest, you see

I share your sentence of confinement,
isolated to a room with windows, my
mind wandering to ancestral gardens,
contemplating shadows and movement
cognizant of underlying forces, creeping.

My husband has just left, dear man, having
checked on me, taking on my burden,
concerned that I am not sleeping at night
thinks that by reading and rereading your
words I am only fueling an already over-

active imagination; begging me to be still
as the doctor has recommended; but I am
burning to tell you that time has no
relevance between us and that you and I
exist simultaneously – a secret we dare

not confess – how correct your impulse
that there was more than one woman,
that we are many, barred by the designs
of society, papered over by irrational,
outdated shades of yellow, lacking

symmetry, or sensibility, suffocating
our creativity, tortuously contorting
ourselves to been seen, accepted.
It is the smell of our discordant souls
that pervades your consciousness

the rotted withering of  a stifled
existence – a yellowed existence –
once hopeful, sunny, now molding
mucous, desperately torn away
at the edges, pleading for escape

How grateful I am that you see –
may I call you Charlotte – that you
have smelled the angst, witnessed
the struggle, are willing to tear at
the sticking places, to set us free.

(I wrote this in the throes of severe M.E. – sleepless nights, coupled with systemic exhaustion and endless confinement to bed brought to mind the short story :  Yellow Wallpaper.  I submit it here and am linking up with Brave and Reckless’ challenge based on Charlotte Perkins Gilman’s piece)

Maybe

Maybe I just needed a new perspective –
like the famed Hanged Man of tarot –
committed to some deep, internal need,
willed a horizontal shift, landed with intent.

Maybe it is not my legs that are disabled,
but a soul longing to escape the continual
discord of perpetual motion, a never-ending
to-do list of the success driven persona.

Maybe there is a greater purpose for being
that is not encompassed by outer drive –
a mysterious meaning that is revealed only
in the quiet stillness in which I now dwell.

Maybe I have been called to a personal
pilgrimage – a Camino of sorts, a crusade
of spirit designed to cleanse and enlighten –
the journey is certainly arduous enough.

Maybe it is through acceptance, finally
having released  a need to control, move,
achieve, accomplish that I am able to
embrace the true lessons of suffering.

Maybe this cocooning is an act of Grace
demanding surrender before the actual
transformation occurs, and I will emerge
legless or not, winged and ready to soar.

Maybe, just maybe, this stripped down,
barren existence is not a penance for
shameful living, but a desert crossing,
offering re-alignment, hard-fought peace.

(Maybe first appeared here in February of 2017, three years into my journey with Myalgic Encephalomyelitis.  I am posting it today as it fits with this week’s theme: upside-down.  Image is the mirror reflection of trees across the canal – from personal collection)

The Art Of Survival

Learned the art of survival
from father, a commando-
trained warrior, never able
to leave the battles behind

A sharp-shooter, whose
expert eye tracked our
every fault, with sniper
precision, shot us down.

Innocence has no place
when the enemy resides
within; when trigger lines
are camouflaged by wall-

to-wall carpets, and young
minds, craving exploration,
are imprisoned by acts of
terror; the only conclusion

survival’s impermanence –
hostility lurking in every
shadow, caution instilled
by the omnipotent legacy

of father. Tried to reach
him in the end, touch his
humanity; his shell-shocked
glaze paused for a moment,

he focused, broke through
the fury, seemed to remember
we were his daughters – was
that compassion lighting

his expression? Take cover,
he cried, get as far away as
you can, save yourselves, I
cannot sway my path, too

committed to this private war,
there is no mercy for me – but
you, you can be saved, save
your children.  I turn and run

with all the certainty that this
is life and death and embrace
the little ones, praying to lift
them out of the ashes, give

them new life, but it seems
they learned the art of survival
from the daughter of a father,
conditioned to the state of war.

(Submitted for dVerse pub Open Link Night.  This poem first appeared November 2016.  Video is a reading by yours truly at an Open Mic night.)