Independent, En-Masse

A familial gathering – rock balanced upon rock – stands at the Rideau’s edge, one amongst several such groupings, each a masterpiece unto itself, and yet one small, insignificant creation begs attention: a small duck-like figure, turned away from the rest, facing north rather than south, as if it hears a different call.   Even its companion, hesitant, looks back towards the family, for reassurance.  Body of fossil, head carved by erosion – he ponders other horizons. Even the artist – albeit working with spartan tools – could not bend the will of this little being, could not mold him into conformity.  He is childlike innocence and brash determination, and I imagine that as the sun goes down and the tourists disappear, he glides through the water, travels against the current and revels in the freedom.

At the river’s edge
figures rise, stoic families
hailing passersby.

(Written for dVerse pub, and for Ragtag Communities prompt: spartan.  The balanced rock sculptures are the work of John Felice Ceprano and can be found at the Remic Rapids in Ottawa, Ontario.)

 

Lapses in Light

The sky donned a mask today –
clouds contriving a hoax –
like a great, feathered beast
emerging from the heavens,
bearing down on me –

Silly, this trepidation, this
superstitious sentimentality –
both clouds and I know
this is only illusion – sun
still rules the skies…

(Willow Poetry poses the weekly challenge:  What Do You See?  based on the featured image.)

The Pact

“What happens after death?”
she asked one Sunday, her long, thin body,
stretched weakly across the settee, her cousin,
balancing his dinner plate at her feet.

Sundays they came together – all the family –
for Grandmother’s dinners – the warm waft
of fresh-baked pies, the clank of dishes,
and voices raised over the old farm table.

He shrugged, knowing it was an ongoing
concern – she’d been frail from birth,
this girl he loved – two years younger,
but in every way his peer – said nothing.

“Let’s make a pact,” she blurted with sudden
fervour.  “The first to die will leave a sign.”
“Grandpa’s bells!” They shook on it, and
then with a satisfied grin, she fell asleep.

A more sombre clan gathered mid-week,
eyes red and faces pale with the shock
of loss – no smells of warmth to greet them,
just cold platters prepared by church ladies.

Slumped bodies, heads leaning close,
sipped tea on the place where she’d lain,
that last day – no sound of children’s
laughter, just a hole too hard to bear.

And when the sound came, metal
clanging on metal ringing a joyous
clamour, she was the first to see –
Grandpa’s bells stirring  – her sign!

She knew then that he’d be waiting –
told me so before that last breath,
and as I watched her go, I swear
I could hear the far off ringing of bells.

(Bjorn is hosting at dVerse tonight and challenges to write narrative poetry.  This story of the pact was told to me by my cousin Caroline before she died.  The bells were not as pictured here, but were sleigh bells her Grandfather kept hanging inside the back door.)

 

The Instrument

This tingling I feel –
my own – your body,
feather light and smooth,
is inert, rolls passively
in my palm, invites
intimacy – softness
of bristles, a reminder,
of the need for mindfulness

I inhale your woodsy scent,
a hint of last night’s liquid
spreading – poised
between my index
and middle fingers,
you remind me of another
addiction – less satisfying –

ours is a collusion of
pleasure – submission
performing on command –
from my mind to hand
to instrument – harmonious
orchestration… let’s paint.

(Written for dVerse Poetics, hosted tonight by Sarah Southwest)

Harboring

Memories are boats
anchored, idle,
awaiting calm –

quaint ideals
keep them docked,
undermine progress

never intended to harbour
so many secrets –
lack a personal compass

reliable enough
to navigate solo –
a necessary tactic

to release these boats
cluttering my
story’s shoreline.

(Written for dVerse, whose host Lillian challenges us to write a quadrille (44 words) around the theme: harbour.  Hats off to the daily prompts from Ragtag Community: quaint, Fandango: personal, and Daily Addictions: solo. Image from personal collection.)

Regrets

When love,
open-eyed
and uplifting
appeared

she shuddered,
withdrew,
Shame’s shadow
casting putrid
projections

fear and uncertainty
cloaked her, masked
desire as repulsion –
wore her tragedy
as identity – could not

make the leap –
would choose, instead,
a legacy of abuse –
reaffirming the guilt
and self-loathing

Never could forget
the time that love
showed up –
opened-eyed
and uplifting.

(VJ’s weekly Challenge is shadows)