The Art Of Survival

Learned the art of survival
from father, a commando-
trained warrior, never able
to leave the battles behind

A sharp-shooter, whose
expert eye tracked our
every fault, with sniper
precision, shot us down.

Innocence has no place
when the enemy resides
within; when trigger lines
are camouflaged by wall-

to-wall carpets, and young
minds, craving exploration,
are imprisoned by acts of
terror; the only conclusion

survival’s impermanence –
hostility lurking in every
shadow, caution instilled
by the omnipotent legacy

of father. Tried to reach
him in the end, touch his
humanity; his shell-shocked
glaze paused for a moment,

he focused, broke through
the fury, seemed to remember
we were his daughters – was
that compassion lighting

his expression? Take cover,
he cried, get as far away as
you can, save yourselves, I
cannot sway my path, too

committed to this private war,
there is no mercy for me – but
you, you can be saved, save
your children.  I turn and run

with all the certainty that this
is life and death and embrace
the little ones, praying to lift
them out of the ashes, give

them new life, but it seems
they learned the art of survival
from the daughter of a father,
conditioned to the state of war.

(Submitted for dVerse pub Open Link Night.  This poem first appeared November 2016.  Video is a reading by yours truly at an Open Mic night.)

 

 

 

 

In Remembrance (for Father)

I hold a photo of my father –
on that last Remembrance Day –
am awed by the person we never knew.

Just fifteen, he signed on,
joined ranks with an elite squad,
trained for unarmed combat.

He wears his Commando’s beret,
medals proudly adorning his breast –
symbols whose meanings are now lost.

They were the best and the brightest –
sleuthing out enemy stores, carrying
operative data to oncoming troops.

He cried that day, as candles glowed –
tears for the fallen – “Good men,”
he muttered, squeezing my hand.

A suicide mission, he’d called it,
armed with a knife and hands
of steel – a black pill if caught.

By day, he never spoke of war,
at night, he screamed in terror.
Why such a mission? I asked.

He’d had his own secret cause –
a war waging within him – 
bent on eradicating a tragic flaw.

War made my father – a disciplined,
regimented man of iron, intimidating,
fearless – machismo at its best.

He returned a hero, celebrated
with his hometown, and left again –
the lie still burning within him.

Father was a valiant soldier –
counted himself privileged
to serve beside the honourable.

At fifteen, a girl whose body
belied her existence, enlisted
in a fight to become a man.

(The original version of In Remembrance appeared November 11, 2015.  I resubmit it here, edited, for my weekly challenge: sacrifice.  My father sacrificed his life during the war, and then went on to sacrifice his true identity for the rest of his years. November 11th is Remembrance Day in Canada, a time to honour those who fought for our freedom. )

 

Superwoman Has a Dark Side

Finely cut crystal –
silver and gold –
sparkle and entice.
A table fit for royalty.

Savoury aromas evoke visions
of sumptuous gravy,
delectable roast,
crisp-cooked vegetables,
and decadent desserts.

She’d stop to admire her handiwork,
but the children, hungry
and bored with the waiting,
tug at her hem.

Waiting.
It is her greatest strength.
Prepare, prepare,
then wait.

They’ll arrive shortly, noisily
full of their days,
fail to remark on the preparations

They’ll sit
be served
praise the deliciousness
gobble up seconds
push back their chairs
wander off
for a kip
or a smoke

and she’ll linger
picking at congealed gravy- covered mashed
unconsciously dabbing at a red wine stain
and marvel at how she accomplished it all
without bitching
without protesting
a trouper till the end

What’s that you say?
She’s sounding a bit like the martyr?

Oh no, you’ve found her out.
Superwoman has a dark side.

(This was originally penned a few years back, and I resubmitting it here, edited, for Twenty Four’s 50 word Thursday. Photo is courtesy of Deb Whittam as part of her prompt.)

A Feathered Fable

Statuesque as a Great Blue Heron,
she wades silently, patiently,
her long-necked beauty,
and generous wingspan,
testament to a tender soul.

She dreams of a mate
who can unfold her,
carry her to new heights.

Rustling in a nearby bush,
she encounters a partridge –
shorter than her, and
rotund, his countenance grey.

She is drawn to the candour
of his misery, how vilely
he has been misplaced –
his wife and nest robbed by
another, more showy beast.

Pity masks itself as kinship
and as love does, she dons
blinders, ignores the fact that
he prefers ground dwelling,
tells herself she will adapt
to his packs, learn his ways

Once dreamt of a mate
who could unfold her,
carry her to new heights.

Her shoulders slump, and
she draws her neck in now,
wings forgetting how to soar –
she is diminishing in the
confines of a single field

while her Partridge mate,
remains a partridge –
only fatter.

(Written for dVerse pub, hosted by Björn tonight, who challenges us to use metaphor. I might have got carried away…oh, well, excuse me while I flock off.)

I’ll Take a Slice

Wrap me a slice
of utopia – parcel
it carefully, maybe
double-wrapped.
Just glide it across
the counter, let me
tuck it in my coat,
glide out of here –
can barely repress
my excitement,
this thrill, must hurry
on home now –
find a quiet corner,
unwrap and inhale.

(Written for dVerse’s poetics with the focus on utopia.  A nod also to Fandango’s prompt, repress, Ragtag Community’s, parcel , and Daily Addictions, glide.)