Resort

If only life were a resort –
catered to meals, bed maids
who shuffle out of sight so as
to not disturb the illusion

that life is magical, comfort
a finger snap away; I’d refrain
from interaction, recognizing
celebrity amidst the guests –

imagine the surprise if one
should notice me: this fragile
ego pressured by the praise
would gush volumes, convince

me of genuine interest, ignore
glazed eyes, fail to appreciate
the bombs of emotion spewing
from my war-tattered mouth –

insights always come too late
to save me: my words, like drugs,
an excessive expense; my soul,
undervalued, strewn across

computer screens; I am Paris Hilton
regretting the exposure, trying to
keep afloat in a sea of superstitious
idiosyncrasies – an artist’s bane –

an acrobat, needing to balance
performance with observation,
resorting to bouts of self-
deprivation – no vacation here.

(Image: www.extravaganzi.com)

Now, A Little About Me

Poetry, the words penned on this blog, have emerged as a gift from the darkness of a debilitating disease.

Three years ago, I was a special education teacher, loving my career, volunteering with the junior girls’ basketball team, and making plans with my husband for our next trip.  I had been diagnosed with Fibromyalgia in 2010, but a change in diet and weekly trips for acupuncture seemed to keep that at bay.  True, I could no longer participate in the acting group I’d so loved, or play tennis quite as actively as before, but that was compensated for by the arrival of grandchildren in our lives.

Then, in the middle of summer, 2013, I came down with pneumonia, and although my lungs seemed to clear with the prescribed medication, I continued to have breathing problems, accelerated heart rate, and bouts of severe dizziness.  I saw specialist after specialist, all with differing opinions, and then, thankfully, my respiratory doctor diagnosed Chronic Fatigue Syndrome.

“Myalgic Encephalomyelitis” is the formal term, my family doctor explained, although most recently she told me it’s been renamed Central Sensitivity Syndrome in an attempt to explain the varying complex symptoms.

By May of the next year, I could no longer drive without falling asleep at the wheel; had lost my ability to do math; was losing recognition of words; and could not climb a flight of stairs.  Sitting and standing became incredibly taxing, and at my very worst, I could not tolerate food – ugly sores would break out in my mouth and face, and my stomach would swell painfully.

Social interaction was exhausting, and watching television overly stimulating.  I spent hours on end lying in a darkened room in silence.  Scents were enough to send my nervous system into overload, and sudden noises made me startle like a baby.  I could not concentrate enough to read .

Words were my saviour.  Ideas floated around in my consciousness, forming images that I would cling to until I was able to find the words to release them.  Poems, like shining beacons of hope, emerged, and I felt brief interludes of accomplishment, as if my life still mattered, as if I still had purpose.

This past year, there has been improvement.  I am able to be out of bed longer, and with the help of a homemaker, can even prepare a few meals, and best of all, get out of the house to visit with friends, or have a meal out.

I came across this Ted Talk this morning, posted on Facebook, in which the speaker reveals her journey with ME.   An articulate speaker, Jen Brea has become an active voice in the crusade to bring this disease to the forefront of medical awareness.

I invite you to watch Jen Brea.

 

 

 

 

 

 

 

Mermaid Dreams

Descending
into the mythical,
entranced,
supported by
the severity of
this current difficulty

call it fantasy,
but attempting
movement is
destroying my
passage

I am pulling,
shattering
this barricade
of a life; blue
progressing:
ocean bound.

(Image: nauticalcottageblog.com)

To see how I created this poem visit: Composing Poetry

 

 

Blogging Confidential

Find comfort amongst bloggers,
witness the birth of writers,
misplace my own purpose, fallen

gather ideas, maintain my shame;
I am a fictional character, having
miscarried my own story, declined

into dirt – dangerous; energy limited,
no stores to drive me, never really
known a home where peace dwells,

where brilliance is nurtured, worn
down with beatings, ascribed to
independence too young, immature

chose boisterousness over gentleness,
became a second/third-hand wife,
parent, place last behind responsibility.

beat myself up now over my stupidity,
lack of credibility, an obligatory failure –
any wisdom preserved redundant.

Stop already!  This is but a one-sided
tale coloured by shame – change the
lens, multiple stories await birthing

find comfort amongst bloggers,
witness the growth of writers,
recognize the shared experience.

Toppled Anger

(A little light-hearted word play.  Hope you enjoy.)

Anger, invested in former foibles –
an underground agent for disaster –
makes recommendations, promotes
aggressive agenda, takes the lead,
direction (or lack of it) exploding,
repurposes itself, expectations
that its self-serving cause is
perfectly understandable.

Understand perfectly
that self-serving causes
are expectations, repurposed
explosions of misdirections,
leading takes agenda,
aggressive promotion
recommendations make
disastrous agents for
underground foibles,
formerly invested in anger.

(Image: teddyray.com)

Arachnophobia

Creativity –
eight-legged predator –
invades the decks
of my listing mind,
reproducing rapidly.

Her generous,
bejewelled appendages
skittering beneath
my plastic-boned
Caucasian frailty.

I hesitate –
friend or foe?
Should I trample
crush this invasion,
or surrender…
risk madness?

We are ocean –
bound, shoreless
prefer interior spaces
wary of open vistas
equally vulnerable
collapsible

Skittish
evaders
intent on
escape
future
uncertain…

I flee
creativity’s
lair – enter
into darker
passages

Destiny –
creativity’s cousin –
awaits, tail raised
in venomous arc –
dances a warning
does not
strike

body
glowing
phosphorus
green,
melts into
swirling,
flourescent
particles of
Kundalini
rising.

(Image: fineartamerica.com)

 

Reticent Poet

Find me in the audience,
three rows back, amidst
enthusiasts, humbled by
your expertise, perched,

questions burning tongue,
too reticent to find a voice,
afraid of being discovered,
ridiculed, or misconstrued,

as if you found my poetry,
see only the images formed
there, miss the raw emotion.
I’d want to scream “Stop!”

Too many polished writers
whose words, in black and
white, float through the web
while mine are immobilized

Yet, I return, hungry to feast
from the same banquet, miss
what is being served up, as I
have no plate ready to receive.

Poet’s Quandary

If
I were
to write
every day
for one
hundred days,
would my soul
be purged of
this malaise;
is it a thing
to be dredged,
dragged up –
twisted
and tied
like tattered
bed sheets
knotted
together;
is there
a remedy
for this
scourge;
or is this
an inherent
restlessness,
a fiery blue
spark of eternal
angst igniting
passion – a call
to write?

Creative Process

Routine, I find, is both a comfort and a discomfort.  Stripped of all routine when I first became ill, I floundered about looking for some order to the resulting chaos.  I longed for a routine, like a navigational device, to help me define exactly where I was in all the madness.  (Still compass-less I’m afraid.)

At the same time, I fear a numbing sameness – a morose monotony of nonsensical repetition.  I remember doing anything to break the boredom – taking a different route home from work, turning my lessons upside down, or rearranging the classroom – anything to invite new energy.

I feel the same about writing.  It is seductive to find a comfort zone and stay there – convincing myself that this is perfecting my craft, however; I suspect a trap.  Ego, I’ve noted, likes to sabotage.  Exploration is the only way to expand creativity and ignite revelation.

Let me illustrate.  Take a simple thought:

I cried because I was alone
then opening my eyes
discovered another
also alone
my image in the mirror.

Possibly interesting concept, dull delivery.  The image craves development.  One thing I have been experimenting with (wherever possible) is removing pronouns, or any references that personalize my poetry.

loneliness cried
opening eyes
discovered another
also alone
mirror image

Well, this is better, but sounds like a flowery way of saying misery loves company and that’s not the essence I wanted to capture.  What if I do some word/concept association?  Will this help me expand my ideas?

loneliness – feeling of rejection, abandonment, not belonging, desire unrequited, left out
crying – tears, release, unable to contain, unrestrained emotion, grief
open-eyed – awakening, willing to see, open to possibility, searchingdiscovery – new appreciation, renewed hope, joy, alternatives, perspective
other – outsider, relationship, communion, community, connection
alone – isolated, cut-off, solitude, retreat, respite
mirror image – reflection, reversal, commonality, empathy/sympathy, not alone

Not sure this helped, but I’ll try putting it back together using the associations.  Maybe I’ll play up the personification.

Loneliness,
abandoned and rejected,
grieved unrestrained,
then willingly,
hesitatingly,
opening to possibility,
discovered hope,
connection,
in solitude –
not alone.

I like this better – the message is more satisfying.  What happens if I turn the whole thing upside (taking liberties, of course)?


In solitude,
connection
discovers –
hope, and
possibility –
opening.

Hesitatingly,
willingly,
unrestrained grief
abandons,
rejects,
loneliness.

Wow – I like this even more.  I feel as if it is an invitation from the soul to grieve.

I challenge you to explore and expand your own writing.  What hidden messages await your discovery?

Death Threat

“Viewers are cautioned that this next report contains images that may be disturbing to some.”

Naturally, I turn toward the television to see what all the fuss is about.  Photos of a crime scene where two women have been brutally stabbed to death are plastered across the screen along with images of the hotel they had been staying in and the victims themselves.

“Uh, Ric,” I manage to utter before sheer terror takes over me.  Not only are we staying in the same hotel, but the two women are occupying the same room we had originally been assigned.  When we’d arrived, just days before, and found there had been a double booking, we gracefully offered to move rooms.  What if we hadn’t?  Suddenly, I feel deadly cold.

“Maybe you should stay at the farm tonight instead,” Thor suggests.  The ‘farm’ is a small rural property we have purchased for our retirement.  As the house needs repairs, we decided to take a vacation at this nearby resort in the meantime.  Ric has to return home on business overnight, which means I will be on my own.

“No, the report says the police have a suspect in mind – a drifter who has been seen loitering in the nearby town.  The farm is too isolated.  I’ll be safer here with people around.”

Somehow, in the deep middle of the night, isolation feels more pronounced.  From where I lie I can see the outline of the door to our room and try to reassure myself that the deadbolt will hold.  I pray the double sliding doors in the adjacent room are secured enough to prevent an intruder.  I must fall asleep at some point, because when I awaken it is morning.

Relief floods me.  Daylight brings a return to normalcy, sanity.  All is well.

I have a quick wash and throw on some clothes, deciding to catch breakfast in the restaurant.  This suite we are staying in has two rooms – the bedroom, which is accessed from the outside, and a living/dining/kitchenette area, which is accessed by the pool area of the resort.  A short hallway with a bathroom separates the two living spaces.  It isn’t until I pass through into the kitchen area that I notice the intruder and I stop short.

Standing well over six feet tall, he is a giant of a man, with a disfigured face and scarred hands.  Like a rabbit, I freeze, assessing the situation.  In my mind, I picture the exits, both locked as far as I know.  How long has he been here?  Do I have time to unbolt the door before he’d catch me?

As if reading my mind, he flashes a pass key.  He works here, I realize.  Remain calm, I counsel myself.

“Am I going to die?”  I ask willing my voice to remain steady.  “Because if I am, do you mind if I have one more cup of tea.  Tea is my favourite thing?  Could you allow me that?” An element of surprise is my only hope of defense.  It worked for me once during an attempted mugging.  The would-be assailant stepped in front of me and demanded money and cigarettes.  In my nervousness, I laughed and said: “Do I look a smoker?”  The ruse worked long enough to let me dart away from the mugger and yell for help.

He doesn’t answer, just glares at me with that menacing expression, reminding me who’s in charge here.

“If it’s about sex, I’ll do anything you want, no need to get violent.”

“It might get rough.”  Do I detect a hint of bemusement in his voice.

“That’s okay, but I’d still really appreciate that cup of tea.  Can I make you one?”

“No, I don’t want any damn tea!”  but he doesn’t move to stop me and he’s dropped down onto the couch now, stretched across it, his legs splayed out over the end, his massive belly displaying one long scar carved into his side, and I realize he’s removed his shirt.

Cautiously, I make for the sink, feeling like I’m moving in slow motion.  His voice stops me.

“Why’d you have to put lanolin on the food tray?”  His voice is mournful, gravelly, and if I didn’t know that my life is in danger, I might l have laughed out loud.  My mind races:  He must work in food services.

“I didn’t,”  I stammer.  “I mean…I don’t use lanolin…don’t even have any.”  Then, sensing the opportunity:   “Somebody would do that?” I play the sympathy card.

“Makes my job damned near impossible,” he mumbles.  “Makes me angry enough kill!”

So we’re back to that.  Is that what happened to the two young women?  They greased the dinner tray?

“Hurry up with the tea already; I don’t have all day.”

He closes his eyes for a moment and I examine his face.  An unfortunate soul, really, I think.  Large, beefy jowls, and a bulbous nose that likely indicates years of alcohol abuse.  A scar covers one eye socket, and his lipless mouth seems to hang open unaware of itself.

Just as I turn again towards the kitchen, a light tapping on the door precedes the entrance of an entourage of people.

“Housekeeping, Miss.” A woman bustles in carrying freshly pressed and hung laundry.  “Where would like these?”  Behind her comes another housekeeper bearing clean towels, and a team poised to clean.  “Is this a good time?”

“A very good time!”  I turn to see that the hulk has gone.  Did he slide away?  I wonder.  Did anyone see him?  I direct the clothes to be hung in the bedroom closet and smile with genuine gratitude for the disruption, but keep my council.  He may still be hiding in the suite.

Two young teens then barge through the now open door and buzz around delighting at everything in the room.

“Excuse me,” I say to them.  “What are you doing?”

“This is our room!  We just checked in!”

“This is my room,”  I can feel the anger rising up in me.  I have had enough disruptions this morning already.  Things are beginning to feel surreal, and I just want some peace to recollect myself.  “There has been a mistake.  Leave!”

The doorway fills with what must be the rest of the family:  a man and woman and four more children.

“Check-in,” I tell them, ” is not until four o’clock.  The room is still mine.”  I had forgotten that today was check-out and the realization brings me new hope – I might get out of this alive yet.  I have work to do.

The family and housekeepers all leave with the exception of one little straggler.  I start to give him directions to the lobby, then realize he is too little to understand, so I walk him down the hall instead.  As we approach the reunion with his parents, I see that Ric has returned and is approaching the building.  The nightmare is finally coming to an end.

I turn back towards the room, anxious to get packed up.  I see him in my peripheral vision as he steps out of the shadows.  I stop.  Surely he won’t accost me here in the hallway, with people around.

“Did you see my scars?” he asks, eyes turned away.

“I did,” I respond unemotionally.  What can he possibly want me to say?  Like the wounds you left on those poor young women, I think.

I hear Ric’s approach and see the killer step away.  Should I tell my husband? I decide not.  Ric would react protectively, and could end up getting killed as well.  I greet my husband warmly, and turn our attention to the task at hand.

Car loaded, Ric pulls toward the exit just as a police vehicle drives in.

“Stop here.” I command, rolling down the window and catching the driver’s attention.  “The man you’re looking for works in the kitchen,” I tell him.

Then I signal for Ric to drive away and wake up.

It’s all been a dream.