
(RonovanWrites Haiku Challenge prompt is hero / coward.)

(RonovanWrites Haiku Challenge prompt is hero / coward.)
Set the stones
with reverence
for the directions
for the spirits
for the elders –
stories,
like sacred threads,
weave legacy,
Bodies decline,
but spirit is fire –
built with sacred intent,
sparks become flames;
fire has ears
hears our prayers
transforms
the message –
praises
for the gods,
inspiring peace.
(Sacred Fire is dedicated to my mentor and friend, Emmagene, who taught me the importance of ritual and ceremony. I am linking up to 50 Word Thursday, dVerse Open Link, Fandango’s inspire, Ragtag community’s elder, and Daily Addictions’ decline.)
How to separate oneself
from church, from religion –
the indoctrination, like skin
so firmly attached…yet…
there is testimony,
and doubt stirring,
encircling –
stories of violations, and
a niggling disquiet…
a memory…no…wait –
surely it is only the sway
of this modern outcry,
the power of suggestion
influencing mind…
(Abuse perpetrated in the name of religion continues to surface. I submit this piece in response to the gracious promptings of 50 Word Thursday, Fandango, and Ragtag Community. Picture is from personal collection.)
“You’re an enigma”
mother would tsk,
ushering me out of the door,
brown bag lunch,
book bag dragging,
to catch a ride across town
a special classroom –
desks pushed together
formed quads, and
walls retracted,
created one large room,
the bustle of activity
a constant
no readers here,
or math sheets,
it was free learning,
cross-curricular,
learned about history
from novels,
math and science
through applications,
wrote poetry,
read Shakespeare,
enacted plays,
and while some went to shop
or home economics,
I tackled Mensa puzzles
we debated
current affairs,
grew a social conscience,
progressed individually
“Men don’t like smart women,”
was all my mother could say,
shaking her head with disgust
at this daughter, who spouted
politics with her father, and
whose career goals,
prepubescent,
aspired beyond the 3 k’s.
(Penned for dVerse, hosted tonight by Amaya Engleking. I’ve also snuck in Daily Addictions prompt: enigma.)
“Why do we have to learn about something that doesn’t effect us?” the small, blonde student asked me. “I mean, it was ages ago, and not even in our country.”
She might as well have run me through the heart with a stake, the pain of her words struck me so deeply. I considered her: an average student, indulged, youngest child, modestly dressed, like many of her age. Disinterested.
Because without our awareness, and interference, history repeats itself, I wanted to say. Because nothing that happens in the world happens in isolation; we are not immune. Because ignorance makes victims of us all.
Instead, I sent the class home with an assignment: ask questions, call your grandparents, find someone who remembers, and be prepared to share what you have discovered.
***
History foretells –
casts eerie shadows over
disregard’s future.
(dVerse’s Haibun Monday is hosted by Frank J. Tassone, who challenges us to write a piece for Hiroshima Day.)
Yesterday’s vibrancy
now faded markings
on boarded up facades
I stand on the edge
of loss, of ghostly
memories and ponder
what lies below –
perched as I am
on a precarious throne
have ignored the call
of the river, the beckoning
horizon, preferred comfort
over adventure, and now
in bitterness, blame those
distant shadows, certain
that the enemy lies
in foreign places,
never on home soil.
(Photo from personal collection was taken along the Rio Grande. Mexico sits across the way. The town we stopped in had many abandoned buildings, reflective of the economy, my guess.)
Spirits dwell
in unlikely places,
speak to us
through lenses
their essence
embodied in
child-like faces,
or animal snarls,
begging to be freed.
I am shamed
by my awareness,
helpless to intervene,
have not perpetrated
the original sin –
guilty by DNA,
lineage tracing back
to the slaughterers,
those who ravished
land and Peoples,
disregarded the elementals
who once breathed life
into this sacred place.
How is it then
that I should capture
the tortured?
Is this merely projection
of an internal demon,
or am I being called
as witness,
my hand poised
to illuminate,
give voice
in service to
the suppressed
and violated?
Is this not,
after all,
the artist’s call?
(The image that inspired this poem was taken on the Kettle & Stony Point Reserve on the shores of Lake Huron. Can you see the face?)
Is death a gentle reprieve,
a final release of suffering
a promised resting place?
Or is it contemplation
coloured by memories
demanding retribution?
Will death bring reunion
unleash forgiveness
shine with revelation?
Will one final earthly breath
call forth all the fragments of the soul
and restore wholeness?
I have witnessed death –
both embraced and unwanted –
snatch the spirit from its nest
felt the whoosh of escape
and a swirl of celebration,
known the peace that follows
witnessed the body, open-eyed
and open-mouthed
become a vacuum –
discarded membranes;
an impotent shell.
The spirit does not dwell there;
it lives on borrowed time.
Where it goes when all is done
remains life’s poignant mystery.
(Originally posted January of 2015, this poem fits V.J.’s Weekly Challenge theme of mystery, hosted on One Woman’s Quest II. There is still time to participate. Head on over and check it out.)
Sixties’ doctrine was all about love –
long-haired hippies espousing
anti-establishment, warriors sitting
for peace, getting their groove on.
Too young to grasp the concepts
of love not war, reduced to accomplice,
I eagerly followed along in borrowed
fringe, sporting obligatory peace signs.
Observed that hugs, and smiles, are free
and that mind-altering drugs are cool,
and guessed the establishment meant rules,
and that even in protest there was uniformity.
(Inspired by today’s daily prompts: Fandango, accomplice; Ragtag Community, groove; and Daily Addictions, doctrine. Photo from personal collection.)