Dear Sylvia Plath (Response to ‘Apprehensions’)

Please let me preface with a confession –
I am not familiar with your work.
It is not oversight on my part, rather
a deliberate avoidance – you see,
I too have faced the brand of madness
that drove you to your death, have
feared that any intimacy we might share
would stir my own apprehensions.

Indeed, I understand all too well
the presence of walls,
have believed in the power of the sky,
the promise of green, found faith in angels –
nature my solace – realized too young
that the sun’s brilliance, that my brilliance
cannot be sustained by the innocence of white –
bleeds at the fate of indifferent stars.

I understand how gray seeps in,
tears away at the illusions,
entraps us –
how the past stalks, spirals,
threatens to suck us in, and how,
having lost my own connection to birds and trees,
wonderment sours.

It is the fate of women
born into patriarchal times,
that the blood of our menses
should colour our fists –
our fury as potent as a paper bag –
how can we not feel terror
when we worship a God
whose religion disparages our gender?

I have faced the inevitability of black –
what once brought solace having lost
its definition, unidentifiable –
have faced mortality, the cold blank
stares of death still haunting –
I am the one who passed you by –
afraid to linger too long in your words,
have woefully overlooked
the merit of a sympathetic read.

(This poem was first written in April of 2018. The prompt was to write a response to a poem by Sylvia Plath. It’s an interesting exercise. Image my own. )

Apprehensions by Sylvia Plath

There is this white wall, above which the sky creates itself-
Infinite, green, utterly untouchable.
Angels swim in it, and the stars, in indifference also.
They are my medium.
The sun dissolves on this wall, bleeding its lights.

A grey wall now, clawed and bloody.
Is there no way out of the mind?
Steps at my back spiral into a well.
There are no trees or birds in this world,
There is only sourness.

This red wall winces continually:
A red fist, opening and closing,
Two grey, papery bags-
This is what i am made of, this, and a terror
Of being wheeled off under crosses and rain of pietas.

On a black wall, unidentifiable birds
Swivel their heads and cry.
There is no talk of immorality among these!
Cold blanks approach us: 
They move in a hurry.

The Test

If there ever has been a test
to measure the worth of mankind,
this is it: Fate’s arrow points
to the crises amongst us:
human sanctity at risk

Why then have so many flipped
the question: answered hatefully
when love is the only response?

(Image my own. This poem originally appeared on Twitter @Vjknutson.)

Dear Charlotte Perkins Gilman (Yellow Wallpaper)

I have examined your wallpaper,
discussed the scholarly attributes
of shades of yellow, traced the edges
of your unravelling with my mind,
argued the merits of Gothic horror;

marvelled at the brilliance of wording,
the courage to define the nature of
feminine madness, the boldness to
highlight inequalities long before the
establishment of a Person’s Act.

Forgive me, but I need to set aside
this keyboard for a moment, for I tire
easily, am suffering from an exhaustion
that is systemic and calls for elimination
of all stimulus in favour of rest, you see

I share your sentence of confinement,
isolated to a room with windows, my
mind wandering to ancestral gardens,
contemplating shadows and movement
cognizant of underlying forces, creeping.

My husband has just left, dear man, having
checked on me, taking on my burden,
concerned that I am not sleeping at night
thinks that by reading and rereading your
words I am only fueling an already over-

active imagination; begging me to be still
as the doctor has recommended; but I am
burning to tell you that time has no
relevance between us and that you and I
exist simultaneously – a secret we dare

not confess – how correct your impulse
that there was more than one woman,
that we are many, barred by the designs
of society, papered over by irrational,
outdated shades of yellow, lacking

symmetry, or sensibility, suffocating
our creativity, tortuously contorting
ourselves to been seen, accepted.
It is the smell of our discordant souls
that pervades your consciousness

the rotted withering of  a stifled
existence – a yellowed existence –
once hopeful, sunny, now molding
mucous, desperately torn away
at the edges, pleading for escape

How grateful I am that you see –
may I call you Charlotte – that you
have smelled the angst, witnessed
the struggle, are willing to tear at
the sticking places, to set us free.

(I wrote this in the throes of severe M.E. – sleepless nights, coupled with systemic exhaustion and endless confinement to bed brought to mind the short story :  Yellow Wallpaper.  I submit it here and am linking up with Brave and Reckless’ challenge based on Charlotte Perkins Gilman’s piece)

A Lacking Response

Confronted with the confines
of your hate-centered speech,
I choke on disbelief,
mind sputters, stalls,
conversation moves on
and all I can manage
is an impotent withdrawal.

(Submitted for Ragtag Community’s prompt: sputter, and Fandango’s: manage.  Inspired by the hate rhetoric passed about on social media, often initiated by those I otherwise respect. How do you respond?)

A Child Responds

Console me
when life, upended
shuns and ridicules
let me know I’ll be alright

Step out
of picket-fence thinking,
find beauty in my uniqueness,
show me that love has no boundaries

Teach me
to treasure all that I am
even if that all is beyond
your comprehension

Grow with me
encourage exploration
demonstrate courage
in face of the unforeseeable.

(A Child Responds follows yesterday’s poem: A Mother Asks. Both poems were inspired by a post I wrote a few years back: No One Will Ever Love You)