Disillusionment

Yesterday’s vibrancy
now faded markings
on boarded up facades

I stand on the edge
of loss, of ghostly
memories and ponder

what lies below –
perched as I am
on a precarious throne

have ignored the call
of the river, the beckoning
horizon, preferred comfort

over adventure, and now
in bitterness, blame those
distant shadows, certain

that the enemy lies
in foreign places,
never on home soil.

(Photo from personal collection was taken along the Rio Grande. Mexico sits across the way.  The town we stopped in had many abandoned buildings, reflective of the economy, my guess.)

Artist’s Calling

Spirits dwell
in unlikely places,
speak to us
through lenses
their essence
embodied in
child-like faces,
or animal snarls,
begging to be freed.

I am shamed
by my awareness,
helpless to intervene,
have not perpetrated
the original sin –
guilty by DNA,
lineage tracing back
to the slaughterers,
those who ravished
land and Peoples,
disregarded the elementals
who once breathed life
into this sacred place.

How is it then
that I should capture
the tortured?
Is this merely projection
of an internal demon,
or am I being called
as witness,
my hand poised
to illuminate,
give voice
in service to
the suppressed
and violated?
Is this not,
after all,
the artist’s call?

(The image that inspired this poem was taken on the Kettle & Stony Point Reserve on the shores of Lake Huron. Can you see the face?)

A Final Mystery

Is death a gentle reprieve,
a final release of suffering
a promised resting place?

Or is it contemplation
coloured by memories
demanding retribution?

Will death bring reunion
unleash forgiveness
shine with revelation?

Will one final earthly breath
call forth all the fragments of the soul
and restore wholeness?

I have witnessed death –
both embraced and unwanted –
snatch the spirit from its nest

felt the whoosh of escape
and a swirl of celebration,
known the peace that follows

witnessed the body, open-eyed
and open-mouthed
become a vacuum –

discarded membranes;
an impotent shell.

The spirit does not dwell there;
it lives on borrowed time.

Where it goes when all is done
remains life’s poignant mystery.

(Originally posted January of 2015, this poem fits V.J.’s Weekly Challenge theme of mystery, hosted on One Woman’s Quest II.  There is still time to participate.  Head on over and check it out.)

60’s Vibes

Sixties’ doctrine was all about love –
long-haired hippies espousing
anti-establishment, warriors sitting
for peace, getting their groove on.

Too young to grasp the concepts
of love not war, reduced to accomplice,
I eagerly followed along in borrowed
fringe, sporting obligatory peace signs.

Observed that hugs, and smiles, are free
and that mind-altering drugs are cool,
and guessed the establishment meant rules,
and that even in protest there was uniformity.

(Inspired by today’s daily prompts:  Fandango, accomplice; Ragtag Community, groove;  and Daily Addictions, doctrine. Photo from personal collection.)

Excuse Me?!

Insults and mockery
and off the cuff remarks
all marks of authenticity
merely plain talking larks

so says the republican
in the president’s defence –
we are just oversensitive
those who take offence.

When was it disclosed,
I ask the figure on the screen,
that authenticity is ascribed
to spewing things obscene?

Now I am not American,
so neither right nor left,
still I cannot help but object
when justification is so bereft.

Authenticity, I cry out
implies honesty and trust,
building a self that is hospitable –
openness and compassion a must.

To equate such a concept
with this poor excuse of a man
has really pushed the boundaries;
I’m ready for a Trumpian ban.

(Today’s prompts are as follows:  Fandango’s word of the day:  object; Ragtag Community: hospitable; and Daily Addictions is disclose.  I am not usually political but hearing Trump’s recent comments described as authentic got me going – apparently. Photo is from my personal collection – reminds me of an angry forest spirit.)

Ice Cream Challenge

Ice
cream,
an indulgence
inspired by summer’s
heat – cool mouthfuls
creamy sweetness melting
ecstasy – torture for those
whose systems cannot cope
lactose intolerance condemning
sideline drooling – until
manufacturers develop
alternatives –
coconut bliss
and soya
so good –
kudos
to
non-dairy treats.

(Thank you to Fandango for kudos, Daily Addictions for cope, and Ragtag Daily prompt for indulgence.)

 

Rain, Like a Typewriter

Rain tap, tap, taps
on our tin box roof,
like a typewriter

rhythmically transcribing
today’s lesson

“Erect postures,
elbows at ninety degrees,
fingers poised, ready,
and go…fff…ggg…”

the old machines
weighing heavily on my soul
disrupting my sense of self –
aspirations more esteemed
than stenographer, or secretary –
mother’s answer to securing a suitable man

“Target 125 words/minute,
accuracy counts”
keys tangle
stick
ribbon collapsing
whiteout highlighting
my fallibility
I seethe

rail against learning
a skill redundant for a scholar –
math and psychiatry in sight –

Tap, tap, tap
the rain pummels now
thunderous applause
as two crows cackle
hysterical mockery
such shortsightedness

as if teenage minds
can conceive of the future
as if I might have foreseen
the emergence of computers
machinery insinuating
itself into the crux
of human existence

Had to lie, in the end
post-secondary life
demanding accurate skills –
faked it till I made it.

(Inspiration by:
Weekend Writing Prompt #59: typewriter (149 words)
Daily Addiction:  accurate
Ragtag Community’s daily prompt:  target.)

Checked Out

Every woman needs a man,
Mother told her, to be complete.

To submit, she realizes, too late
soul traded for high-rise living,
big city dreams numbing
inner losses.

She eats to appease inner sorrow –
a second-rate childhood – afraid
of being a burden, loathe
to create a stir – conditioned
complacency:

appeasing,
pleasing,
follows plans,
avoids decisions…

never really knows where she is going.

Can she fault her man, schooled
to provide – the alpha male
taking ownership/charge?

His own lack, like a child,
feeding on impulses, craving
attention, overcompensating
for fears with bravado…

cannot understand her fear
of assertiveness – alternately reads
acceptance and disapproval, frets –
gut gnawing incessantly.

They stumble over each other, seek
separation in small quarters, discuss
repairmen, schedules – nothing;

avoid deeper issues such as the fact
that they are both suffocating, near
jumping off the ledge of their high-
falutin’ existence, into the snarl
of traffic that immobilizes them,
the noise of city living negating
their ability to listen, distractions
altering identities, until the distance
between
is too far
to bridge
in a single sigh                      and she
no longer                        submissive
has joined him

and checked out.

(This is a rewrite of a poem, by the same name, written in June 2016.  Shared here for DVerse’s Open Link Night.)